Senin, 29 November 2010

[F969.Ebook] Ebook Heard on The Street: Quantitative Questions from Wall Street Job Interviews, by Timothy Falcon Crack

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Heard on The Street: Quantitative Questions from Wall Street Job Interviews, by Timothy Falcon Crack

THIS IS A MUST READ! It is the first and the original book of quantitative questions from finance job interviews. Painstakingly revised over 20 years and 16 editions, Heard on The Street has been shaped by feedback from many hundreds of readers. With over 50,000 copies in print, its readership is unmatched by any competing book. The revised 16th edition contains over 185 quantitative questions collected from actual job interviews in investment banking, investment management, and options trading. The interviewers use the same questions year-after-year, and here they are with detailed solutions! This edition also includes over 145 non-quantitative actual interview questions, giving a total of more than 335 actual finance job interview questions. There is also a revised section on interview technique based on Dr. Crack's experiences interviewing candidates and also based on feedback from interviewers worldwide. The quant questions cover pure quant/logic, financial economics, derivatives, and statistics. They come from all types of interviews (corporate finance, sales and trading, quant research, etc.), and from all levels of interviews (undergraduate, MS, MBA, PhD). The first seven editions of Heard on the Street contained an appendix on option pricing. That appendix was carved out as a standalone book many years ago and it is now available in its revised third edition: "Basic Black-Scholes" ISBN=9780994103857. Dr. Crack has a PhD from MIT. He has won many teaching awards, and has publications in the top academic, practitioner, and teaching journals in finance. He has degrees/diplomas in Mathematics/Statistics, Finance, Financial Economics and Accounting/Finance. Dr. Crack taught at the university level for over 20 years including four years as a front line teaching assistant for MBA students at MIT. He has worked as an independent consultant to the New York Stock Exchange, and his most recent practitioner job was as the head of a quantitative active equity research team at what was the world's largest institutional money manager.

  • Sales Rank: #171144 in Books
  • Published on: 2015-08-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.02" h x .60" w x 8.27" l, 1.43 pounds
  • Binding: Paperback
  • 286 pages

From the Author
The most common email messages I get from readers are:

1. Messages from job candidates saying that their interview questions came directly, often verbatim,�from this book.

2. Messages from candidates or interviewers offering a small suggestion for improving one of the solutions.

3. Messages from interviewers who have a new question not yet appearing in the book.

I have�revised the book many times to incorporate this feedback, and I invite you to send me more feedback so that I can keep revising/updating the book.

Most helpful customer reviews

12 of 12 people found the following review helpful.
Excellent book for the most competitive finance jobs
By spaceman
This book was critical in helping me get an internship in trading with a high-profile hedge fund this summer. Throughout the interviewing process, over 50% of the technical questions that I received were discussed in this book.

While the book is geared towards more technical positions and does involve a fair amount of math, I would still recommend it even if you are looking for a non-technical position with a hedge fund or an i-bank, since this book contains a lot of brain teasers and logical questions that are commonly asked in all finance interviews to test how well you can think on your feet and under time pressure.

Bottom line: Very comprehensive, very rigorous, the best I have see for hard-core finance jobs. This book is definitely heads and sholders above all of the Vault guides.

9 of 9 people found the following review helpful.
Newer version available and cheaper!
By M Q
This is a great book. However, please be aware the 16th ed is out there already and cheaper than this old version. I don't know why AMAZON didn't make it top in the research results. http://www.amazon.com/gp/product/0994118252/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0994118252&linkCode=as2&tag=investmentban-20&linkId=6YGZBUTYYSCCOESF

6 of 6 people found the following review helpful.
Essential preparation for finance interviews
By J. Gerdy
This is a must for people heading to trading firms, banks, or other financial service firms for interviews. These firms typically scout for a few skill sets. One is general brainpower, as hard as that is to measure. Another is the more difficult math in finance, derivatives pricing. This book covers both in a quick and easy format to let you see where you stand. Moreover, if you can master the material in the book then you will be ready for the majority of an entry-level interview.

The derivatives questions cover "plain vanilla" options pricing and some basic understanding of the principles behind the formulas. Most firms want to see that you know the terms in the Black-Scholes equation and how options prices depend on things.

The earlier part of the book I find even more impressive. It's a nearly comprehensive list of the brain-teasers you get in this process. That's where the employer is trying to measure general brainpower. Of course, a brain-teaser you haven't seen before will give you pause and maybe elude you in the stress of an interview. But after reading this book the answers could be at the ready. The set of brain-teasers through history is actually very small. That is after distilling all the variations on them such as whether you are weighing coins or cannonballs and such. And that set of puzzles, questions designed to test basic reasoning and logic, without depending on formal math, is well covered in this book. In fact, in many interviews I have only encountered one single brain-teaser that is not in this book (and it's not a very good one either).

Finally Mr. Crack inserts notes on the culture of banks which might scare or excite the prospective employee. This book is both good orientation and preparation for starting a career in finance.

It is still relevant and helpful ten years later. That said, there is one area this book totally misses (because of what's happened in the past ten years). That is programming questions. Especially in the past couple of years most interviews will look for some software development skill on top of the general brainpower and command of financial derivatives. Tests on C++ or OOP are common these days. For that material you have to look elsewhere.

See all 44 customer reviews...

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[A738.Ebook] Get Free Ebook Despierta la Luz Curativa del Tao (Spanish Edition), by Mantak Chia, Maneewan Chia

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Despierta la Luz Curativa del Tao (Spanish Edition), by Mantak Chia, Maneewan Chia

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  • Sales Rank: #8111934 in Books
  • Published on: 1996-03-01
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: .94" h x 7.38" w x 9.18" l, 1.58 pounds
  • Binding: Paperback
  • 410 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Excelente libro!
By Amazon Customer
Para aquellos que buscan un libro para complementar sus conocimientos de sanaci�n energ�tica, este libro es definitivamente una de las mejores opciones.

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Minggu, 21 November 2010

[Y468.Ebook] Download Ebook Study Guide: One Amazing Thing by Chitra Divakaruni (SuperSummary), by SuperSummary

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Study Guide: One Amazing Thing by Chitra Divakaruni (SuperSummary), by SuperSummary

SuperSummary, a modern alternative to SparkNotes and CliffsNotes, offers high-quality study guides for challenging works of literature. This 31-page guide for “One Amazing Thing” by Chitra Divakaruni includes detailed chapter summaries and analysis covering 16 chapters, as well as several more in-depth sections of expert-written literary analysis. Featured content includes commentary on major characters, 10 important quotes, discussion topics, and key themes like The starting point for a pilgrimage and Fate.

  • Sales Rank: #1842102 in eBooks
  • Published on: 2015-06-29
  • Released on: 2015-06-29
  • Format: Kindle eBook

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1 of 1 people found the following review helpful.
Helped the group focus on all the layers and nuances of One Amazing Thing. We had a great discussion
By M. Dodge
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Jumat, 19 November 2010

[I683.Ebook] Ebook The LEGO Animation Book: Make Your Own LEGO Movies!, by David Pagano, David Pickett

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The LEGO Animation Book: Make Your Own LEGO Movies!, by David Pagano, David Pickett

Have you ever wondered what your LEGO creations would look like on the big screen? The LEGO Animation Book will show you how to bring your models to life with stop-motion animation--no experience required! Follow step-by-step instructions to make your first animation, and then explore the entire filmmaking process, from storyboards to post-production.

Along the way, you'll learn how to:

  • Create special effects like explosions and flying minifigures
  • Convey action and emotion with your minifigure actors
  • Design sets for animation--make three buildings look like an entire city!
  • Light, frame, and capture consistent photos
  • Add detail and scope to your films by building in different scales
  • Build camera dollies and rigs out of LEGO bricks
  • Choose cameras, software, and other essential animation tools
Dive into the world of animation and discover a whole new way to play!

For ages 10+

  • Sales Rank: #17771 in Books
  • Published on: 2016-10-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .50" w x 8.10" l, .0 pounds
  • Binding: Paperback
  • 216 pages

About the Author

David Pagano is a LEGO animator and writer and the founder of Paganomation, a NY-based production studio. His work has appeared everywhere from BrickJournal to the Wall Street Journal.

David Pickett is the LEGO filmmaker behind BRICK 101 and Nightly News at Nine. Together, they run the LEGO animation blog The Set Bump.

Most helpful customer reviews

4 of 4 people found the following review helpful.
An Absolute Must-Have Book for Aspiring LEGO Animators
By Ashley Glennon
This book delivers on the title’s promise and actually instructs you, step-by-step, on how to create your own LEGO movies. First time animators will be delighted to learn that all you need is a smart phone and a few LEGO bricks to get started, while more experienced animators will appreciate chapters on cinematography and post production.

Among the charms of this book is how approachable the authors, David Pagano and David Pickett, describe nearly every conceivable aspect of making a LEGO movie. The authors combine a conversational style with rich illustrations and simple explanations that just make you want to put down the book and start filming!

What I particularly liked is that the book can be picked up at practically any point—as the authors suggest—and you can learn something. Nearly every photo has a caption or adjacent text that offers a stand-alone tip. And beyond that, the authors offer mini-exercises to punctuate smooth animation, set building, lighting and more.
The pinnacle of these exercises is a LEGO building activity called the PaganoPuppet. In this exercise, you’re given page-by-page instructions on how to build a highly articulated, 8-inch tall LEGO man that you can use in your own animations.

But don’t misunderstand; this book breaks down animation to the point that if you only have two LEGO bricks and a camera, you will likely have fun.

Despite the fact that you can pick up the book at any point and enjoy it, the book naturally flows from getting started to making your Hollywood debut. Eight chapters are broken into well-indexed subcategories that make it easy to find an item of interest.

If you have even the slightest interest in LEGO animation—or were fascinated with The LEGO Movie-- I highly recommend this book. Pagano and Pickett are great teachers and you will be making LEGO animations in no time. As a matter of fact one of Pagano’s movies appeared in the original LEGO movie for just a few seconds. After reading this book, maybe one of your movies will be next!

3 of 3 people found the following review helpful.
The best LEGO� animation book from two of the best animators
By Shawn A. Harrel
This is THE ONLY book you'll need on LEGO� Animation, written by two of the best animators around. David Pickett has a popular YouTube channel with 1/4 million subscribers and Pagano has had his animation work featured in The LEGO� Movie among other things. They've spent hour and days (more likely months...maybe years!) of their lives animating with everyone's favorite highly sophisticated inter-locking brick system. Now they've put that information into a beautiful book.

This book covers animation basics and techniques specific to LEGO�, but also standard animation concepts that hold true for any animation: exaggeration, squash and stretch, timing, easing, follow-through and more. It's all there and explained in a way that anyone can understand. Also, did I mention the beautiful pictures and examples?

On top of all this there are building instructions and a wealth of information about technology, frame rates, camera types, etc... And...oh yeah, ideas for brainstorming and coming up with ideas.

You really can't go wrong with this and the price can't be beat. Put it next to your LEGO� sets and start animating your own brickfilms. Play well!

4 of 4 people found the following review helpful.
Perfect gift for a LEGO-lover!
By Meredith
Son is over the moon to have gotten the ARC of this new LEGO book. He and his friend had too much fun paging though it together. It's a fun way to spur imagination and "get behind the scenes" a bit. Perfect gift for a LEGO-lover!

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Kamis, 18 November 2010

[A324.Ebook] Ebook Download Essentials of Accounting for Governmental and Not-for-Profit Organizations (Irwin Accounting), by Paul Copley

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Essentials of Accounting for Governmental and Not-for-Profit Organizations (Irwin Accounting), by Paul Copley

Copley's Essentials of Accounting for Governmental and Not-for-Profit Organizations, 12e is best suited for those professors whose objective is to provide more concise coverage than what is available in larger texts. The main focus of this text is on the preparation of external financial statements which is a challenge for governmental reporting. The approach in this edition is similar to that used in practice. Specifically, day to day events are recorded at the fund level using the basis of accounting for fund financial statements. Governmental activities are recorded using the modified accrual basis. The fund-basis statements are then used as input in the preparation of government-wide statements. The preparation of government-wide statements is presented in an Excel worksheet.

  • Sales Rank: #67561 in Books
  • Published on: 2014-01-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.50" l, 1.30 pounds
  • Binding: Paperback
  • 480 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Shockingly wonderful textbook!!!
By Anon
The vast majority of people purchasing or renting this book are doing so because they have to for a class, so reviews won't be a huge deciding factor. However, this book was exceptional enough to warrant one. It's very compact and easy to tote around - considerably smaller than any other textbook I've had. More importantly, the material is presented in a VERY clear manner. I found many of the concepts easier to grasp from the text than from the professor. The examples are very thorough. I love that the Governmental chapters took a fictional city and followed the interconnecting journal entries and statements throughout to better illustrate how the funds tie together. I rented this book from Amazon, but I almost wish I could keep it.

0 of 0 people found the following review helpful.
Can't wait for this to be over.
By Sgt.Slum
Terrible book. Hard to follow. Everyone in my class is struggling to truly grasp the text. It's an online class, so the teacher is nonexistent. Luckily we have access to power points that simplify the material. This book is not written to easily teach yourself, which is what we have to do in my class. Like other accounting texts, this book will take a page to say what could be said in a few sentences.

0 of 0 people found the following review helpful.
I feel this book is probably more like a refresher for someone who have had a governmental ...
By Wai Chi Wong
This book should not be used as the first-time learner of governmental accounting; I feel this book is probably more like a refresher for someone who have had a governmental accounting background. With no governmental accounting before, I was assigned to this book by our teacher. OMG, I thought I was going to fail this class because I read one of the chapters three times and it wasn't making any sense at all!!! I pulled an A in the class, but I didn't rely on the book at all. The material was not difficult to understand (or I might have an easy teacher), but I don't know why the book has to make it so difficult!!! Luckily I rented the book, but I think it was still waste of money.

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Senin, 15 November 2010

[V380.Ebook] PDF Ebook Summer Reading is Killing Me (Phee Jefferson) (Volume 2), by Amy E. Lilly

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Summer Reading is Killing Me (Phee Jefferson) (Volume 2), by Amy E. Lilly

It's hard to read between the lines in the flash of paparazzi cameras. Summer reading and book sales should keep librarian Phee Jefferson busy. Instead, she's facing distractions and disaster after discovering the dead body of artist Elody Campbell, The colorful characters of Miller's Cover are on display as reporters chasing the story flood the small town. Phee and her sister, Juliet, brush up on their detecting skills and a portrait of the suspect emerges. As temperatures rise, will Phee be able to throw the book at the killer?

  • Sales Rank: #2457737 in Books
  • Published on: 2015-04-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .48" w x 5.25" l, .49 pounds
  • Binding: Paperback
  • 210 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Light-hearted, funny and well written
By Raingirl
This is the second book from the author that I read in a few days and it didn't disappointed. It was even better than the first. I would like a twist as for the killer, but it was nice the way the story unfolded. Same thing I felt about the first book: the writing really good. No foul language, light-hearted humor, great relationships between everybody and some new faces that worth the detour.
I can't wait for the next installment and I saw it won't be out until winter. Well, I hope the author continues to make her characters lovable and decent, because this is what matters, to be invested in the characters. So many things to wait for, Juliet and her professional and personal goals, and most of all Phee and Clint's relationship took an interesting turn.
I thought the relationship was rushed in the first book, and I think that something misses in the second also, but I like that Phee starts to grow as a person and take a hard look at her relationship.
I like Clint, but for the first time since I read books, I thought that maybe another character who appeared in the book was better written and maybe more suitable for Phee. I hate triangles, and I doubt that he will make another appearance but still, this shows that maybe Clint as an individual and his relationship with Phee as well, need more development.
We know her pretty well, and that's great, but we need them to interact more. The end was a bit rushed, but all in all it’s a great cozy mystery, really well written and with the best characters I encountered in a cozy mystery. I calculated I read this year only about 40 first in the series cozy mysteries. I only continued with 5 and this one is on the top with another series that has great writing as for the mystery and a great main character but not as funny as Phee and her relationship with her family and especially with her sister.

0 of 0 people found the following review helpful.
The second book in the series
By Barbara Billips
is as good as the first! I really enjoy the quirky, funny characters, and the storyline was great. Amy Lilly got me again! I was sure I had the culprit pegged, but I was wrong. That's good! I don't want it to be so obvious I figure it out. I stink at solving the mystery before the ending-so if I do get it, I'm actually disappointed in the book. Can't wait for the third installlment!

The fact that the author is local to me is just cool.

0 of 0 people found the following review helpful.
Good Mystery
By Customer Cathy
Phee finds a dead artist, who happens to be a senator's daughter. The whole town fills with reporters and Phee decides to figure out who killed the artist with the help of her sister, Juliet. She has to deal with a new (cop) partner of her boyfriend's, a senator (as well as his aid), a group of artists, and all the nosey reporters. The characters are great and the mystery is fine. I really like this series.

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Jumat, 12 November 2010

[T629.Ebook] Fee Download Moving Color: Early Film, Mass Culture, Modernism (Techniques of the Moving Image), by Joshua Yumibe

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Moving Color: Early Film, Mass Culture, Modernism (Techniques of the Moving Image), by Joshua Yumibe

Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes--most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful.

Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century. Looking forward, he explores the implications of this genealogy on experimental and contemporary digital cinemas in which many colors have become, once again, vividly unhinged from photographic reality. Throughout this history, Moving Color revolves around questions pertaining to the sensuousness of color: how color moves us in the cinema--visually, emotionally, and physically.

  • Sales Rank: #5814886 in Books
  • Published on: 2012-07-17
  • Released on: 2012-06-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .60" w x 6.00" l, 1.00 pounds
  • Binding: Hardcover
  • 230 pages

Review
"Thoroughly researched, clearly argued, and well-written, Moving Color convincingly asserts the foundational role of color in cinema…a highly engaging and informative read."
(Matthew Solomon author of Disappearing Tricks )

"With astounding research into the original documents and films of the pre-1912 period, this innovative book fills a crucial gap in our knowledge of applied color in early cinema."
(John Belton, author of Widescreen Cinema)

About the Author
JOSHUA YUMIBE is a lecturer of film studies at the University of St. Andrews and is the co-director of the Davide�Turconi Project preserved at George Eastman House.

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Minggu, 07 November 2010

[F856.Ebook] Ebook Organizational Change: Creating Change Through Strategic Communication, by Laurie Lewis

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Organizational Change integrates major empirical, theoretical and conceptual approaches to implementing communication in organizational settings.  Laurie Lewis ties together the disparate literatures in management, education, organizational sociology, and communication to explore how the practices and processes of communication work in real-world cases of change implementation. 

  • Gives a bold and comprehensive overview of communication research and ideas on change and those who bring it about
  • Fills in an important piece of the applied communication puzzle as it relates to organizations
  • Illustrated with student friendly, real life case studies from organizations, including organizational mergers, governmental or nonprofit policy or procedural implementation, or technological innovation
  • Winner of the 2011 Organizational Communication NCA Division Book of the Year

  • Sales Rank: #101489 in Books
  • Brand: Brand: Wiley-Blackwell
  • Published on: 2011-04-18
  • Released on: 2011-04-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.05" h x .62" w x 6.05" l, 1.00 pounds
  • Binding: Paperback
  • 312 pages
Features
  • Used Book in Good Condition

Review
"Summing Up: Recommended. Academic collections, upper-division undergraduate and up." (Choice, 1 December 2011)

"Her communication perspective and selection of case studies help to make this book a valuable resource to leaders in both the public and private sectors. It's a must read organizational knowledge manual for students of communication and organizations alike. Lewis draws on existing literature and her extensive original research to provide a comprehensive and innovative treatment of communication in planned change implementation." (PM World Today Book Review, 1 September 2011)

"Read the valuable and well researched book Organizational Change: Creating Change Through Strategic Communication by Laurie K. Lewis, and put this holistic and communication oriented book to work for your organization. This book offers a fresh and important perspective on change management and its effects on organizations, change implementers, and the various affected stakeholders". (Blog Business World, 10 June 2011)

 

Review
“Laurie Lewis provides a compelling and fresh look at the concept and practice of change.  Her communication perspective and selection of case studies help to make this book a valuable resource to leaders in both the public and private sectors.”
Michael Bzdak, Ph.D., Johnson & Johnson

“The complexity of organizational life is brought to life in this book as stakeholders with different backgrounds, interests and resources struggle to find solutions to the problems of the day. It’s a must read for 21st century organizational knowledge for students of communication and organizations alike.”
Gail T. Fairhurst, University of Cincinnati

“Lewis draws on the literature and her extensive original research to provide a comprehensive and innovative treatment of communication in planned change implementation. A must for students, researchers, and practitioners.”
Ted Zorn, University of Waikato

"As the pace of change accelerates in our society, increasingly driven by forces external to our organizations and institutions, Lewis's contribution couldn't be more timely, or critical as we seek to better chart our future."
Matthew Hamill, Senior Vice President, National Association of College and University Business Officers

“We know change is an increasingly critical process affecting literally everything.  Lewis provides an excellent examination of change from a strategic communication perspective with an important and innovative focus on stakeholders.  Her message is theoretically sound, accessible, compelling, and ultimately practical.”
Pamela Shockley Zalabak, University of Colorado, Colorado Spring

“For students of organization, this is a must-read. Through illuminating case studies and a remarkably clear discussion of theories, Lewis shows how our conception of organization is key to how we approach and implement change; she builds on this to show how a more complex vision of communication can enrich our conceptions of both organization and stakeholder theorizing. This book is an important contribution to the way we think about organizational communication. “
Tim Kuhn, University of Colorado, Boulder

From the Back Cover
What is organizational change and how it can be brought about? Organizational Change integrates major empirical, theoretical, and conceptual approaches to implementers' and other stakeholders' strategic communication during change. Laurie Lewis ties together disparate literatures in management, education, organizational sociology, and communication to explore how the practices and processes of communication work in real-world cases of change implementation.

Written for both undergraduate and graduate students, the book fills in an important piece of the applied communication puzzle as it relates to organizations. In addition to giving a bold and comprehensive overview of communication research and ideas on change and those who bring it about, each chapter is illustrated with student-friendly, real-life case studies including organizational mergers, governmental/nonprofit policy and procedural implementation, and technological innovation.

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3 of 3 people found the following review helpful.
Excellent Author
By gigasnee
Dr. Lewis was my professor, as well as the Director of my Masters Program. Although I graduated almost two years ago, I always go back to my notes and readings from her class. I've used this book for practical applications at my job, and for theory in my doctorate program.
Thank you Dr. Lewis for putting this wonderful work together!

1 of 1 people found the following review helpful.
Five Stars
By Karen A. Platt
While this is in older book, the theories and principles provide solid foundation for academic communications work

1 of 1 people found the following review helpful.
Easy Reading
By alanlspencer
Very informative. Perfect for the course I was taking.

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Kamis, 04 November 2010

[C765.Ebook] Download Creating Multi-sensory Environments: Practical Ideas for Teaching and Learning (David Fulton / Nasen)

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Creating Multi-sensory Environments: Practical Ideas for Teaching and Learning (David Fulton / Nasen)

  • Published on: 1600
  • Binding: Paperback

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Senin, 01 November 2010

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The Spiritual Significance of Music, by Justin St. Vincent

THE SPIRITUAL SIGNIFICANCE OF MUSIC is an exciting collection of exclusive interviews with many of the world's most visionary musicians and writers. A unique anthology that explores the dynamic relationship between Music and Spirituality, sharing incredible insights from their experience, knowledge, and wisdom. This book embraces the beauty and diversity of Music, providing readers with a tapestry of new thoughts on Music and Spirituality.

Justin St. Vincent has interviewed more than one thousand people, choosing over one hundred responses, to produce a cutting-edge and ground-breaking project for our music-minded generation. Includes exclusive interviews with: 1 Giant Leap, Daniel Bedingfield, Don Campbell, Cannibal Corpse, Sheila Chandra, Delirious?, Demon Hunter, Devo, DragonForce, Enthroned, Faith No More, Michael Franti, Jonathan Goldman, Gorgoroth, Guns N' Roses, Healing With Harmony, Iasos, Jefferson Starship, The Locust, Kevin Max, Metal Church, Mortification, My Dying Bride, Napalm Death, Ultra Nate, Petra, Pitchshifter, Ravi Shankar, Bob Sinclar, and Underoath.

  • Sales Rank: #1293298 in Books
  • Published on: 2009-12-01
  • Binding: Paperback
  • 214 pages

Review
THE SPIRITUAL SIGNIFICANCE OF MUSIC is the kind of book that's good for everyone. Whether your relationship with music is as a music maker or an avid listener, open to any page and there's something that will inspire you. The words are grounding and stabilizing, uplifting and enlightening, and carry a message that can be applied to anything in life, not just music. It's a great pleasure to be part of this book, and I thank Justin St. Vincent for inviting me to join this diverse and talented group of contributors all sharing their stories, points of view, and a piece of themselves. --- Ron 'Bumblefoot' Thal, guitarist in Guns N' Roses

I love THE SPIRITUAL SIGNIFICANCE OF MUSIC because it shows what professional musicians and songwriters thought about music and spirituality. Spirituality is the only truly important thing in life and music is a powerful doorway into the mysterious and holy things of our universe. Everyone who considers themselves a musician will enjoy this book, regardless of their spiritual stance. --- Seth Hecox, guitarist and keyboards in Becoming The Archetype

THE SPIRITUAL SIGNIFICANCE OF MUSIC is one of the most exciting concepts put together. It fusions the different ideas from�all walks of people engulfed in the same purpose, feeling their soul through music. It's amazing to read so many opinions from musicians and producers with such varied styles of music being connected in the same thoughts. Justin St. Vincent's hard work has given us a chance of studying a concept in our modern world which has been with us since ancient times, THE SPIRITUAL SIGNIFICANCE OF MUSIC. --- Danny Felice, guitarist, mandolin player, and vocalist in Breed 77

About the Author
JUSTIN ST. VINCENT is the Director and Founder of Xtreme Music, where Music meets Spirituality. He was born in New Zealand, lived in Hong Kong, the United Kingdom, and North America, and is passionate about music from around the world. Website: musicandspirituality.com

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5 of 5 people found the following review helpful.
That Grand Old Catch 22 - The Spiritual Significance of Music
By luke oram
"The spiritual significance of music is a subject so deep and full of subjective sinkholes it would require a book."

Gerald Casale, Devo

`Dialogue' has become one of our century's biggest buzz-words. The corporates have stolen it for their keystones and politicians have started using it in lieu of human shields.
Philosophically speaking though, getting Socratic's always been a good way of chipping away at the fundamentals. If it's mankind's prerogative to explore the unknown, then a good round of circular questioning is the best place to start.
The concept behind The Spiritual Significance of Music is simple enough; an array of artists, musicians and professionals brought together to provide commentary on the question "What do you believe is the spiritual significance of music?"
Most of them have at it. Anyone who has had experience with a musician or creative will know that they have opinions in spades - a good thing, considering they are some of the world's foremost voices.
One of editor Justin St. Vincent's masterstrokes was in taking steps to avoid TSSOM being some kind of one-sided homily from the Christian Music Scene. To this end, the artists interviewed are from a wide spectrum of believers, atheists and cynics, with a few Satanists thrown in for good measure.
The leading question too, is deceptively brilliant. St. Vincent gets no objections for leading the witness. It's genius in it's vagueness; there's no mention of God, instead leaving the subject to come to their own conclusions on the meaning of spirituality itself, and introducing the question within a question.
Many of the artists start there. "First of all, what is spirituality?" asks Sander Gommans of After Forever, waxing Socratic. The views of the artists are fascinating in their diversity; some discount the term in favour of a Powerful Emotional Response, others give names; whether that name be God, Allah, Yahweh, Satan, or some kind of universal force, "something substantial in the universe". The honourable Ravi Shankar makes mention of "The highest mental orgasm", which is a poetry all in itself.
As far as the link between spirit and music, the dialogue descends further into the rabbit-hole. Which is not surprising since explaining a tangible link between the invisible realm and the tangible has been keeping church and science at odds for centuries. Perhaps trying to find a link between the spirit and the song is an equally difficult endeavour.
The artists are a real banquet on this one. A surprising amount of them head for the realm of science as their first port of call; Daniel Beddingfield refers to the sound of the "Deep hum behind reality...particle and wave...the excitement of electrons", singer-songwriter Victor Crowl pays tribute to the "energy between the notes", while composer Peter Davison brings the big bang into play. Industrial dance producer J.S Clayden's piece is full of humanist and meta-physical argument and is a fascinating essay in leftfield.
Of course, there is plenty of standard Protestant argument when it comes to God and music - "Music was created by God, as was every instrument to be used to bring Him glory" says Sonic Flood's Rick Heil.
Again, St. Vincent's great masterstroke is at show here. The book is treated with great objectivity; every opinion gets its own weighting, and the reader is left with a challenging depth of opinion, without any kind of overarching proselytism. It seems that for every religious view, there is an equal and opposite view - Michael IX Williams is left to assert his view that spirituality is a completely subjective concept; comparing a group of religious fanatics to a group of Dinosaur Jr fans squabbling over J. Mascis lyrics.

One thing that becomes clear within TSSOM is the chasm between the language used by the overtly Christian artists and the others. A fascinating subtext in this whole book is the fact that the contributors without a clearly stated or defined religion seem to tackle the aspects of spirituality and music with a much wider lens - without any pre-conceived notions or definitions, they are willing to tackle the thing with wider arms than Christians. The Christian artists seem to be bound by a form of their own language, where `spirituality' becomes `God', `spiritual music' becomes `Worship'. They argue over semantics (Petra's John Schlitt - "I don't believe there is spiritual significance in music, but I do believe music is a powerful tool for a spiritual end")
To a certain extent, this makes their view come off as a little narrow. As a person with spiritual beliefs myself, I stop short of advocating some kind of universalism , but I definitely think that our language needs to change when we're exploring a matter so wide and expansive, otherwise we miss out on a powerful opportunity to grow our outlook. As the apostle Paul said to the Athenians, there's a lot to be said for communicating our views in the language of a wider world.

The dialogue within TSSOM is important. Because spirituality is a wide and often intangible thing. It encompasses dark and light, good and evil. It's not so much an explanation of the divine as our experience to it, and our reaction to it. It's a matter that was meant to conjure mystery, elude classification and for eternity. And like the rabbi says, it's a fool who thinks he can figure out the eternal mystery.

Luke Oram
[...]

4 of 4 people found the following review helpful.
Spirituality has many meanings...
By Beaulah Pragg
When I first agreed to review this, I had no idea what I was getting myself into - I thought that 'spirituality' might be a code word for Christianity and that I would be reading about gospel music or something. I was excited to find that 'spirituality' was defined in each interview as whatever it meant to that artist. For some, it was a communion with god, but for others, it was more obscure, a feeling of connectedness with other people or a direct line to emotion.

One of the ideas I really liked was that the space between the notes was just as important as the notes themselves. When I began listening to music for the spaces, I realized it was true. The difference for me between great music and just good is where they let you breathe - if they do at all. I love that music is a universal language that touches people on an emotional level, rather than an intellectual one. I have never met a person that doesn't like music itself (though obviously everyone has their own brand).

Reading The Spiritual Significance of Music is not like reading a novel. Each page is a new person, offering their little piece of wisdom about what music means to them. These perspectives open conversation, especially in a musically oriented family like mine. It's the sort of book that makes you suddenly think of four or five friends who really should read this (I have two lined up already). It's the sort of book that really should be a documentary like 'The Secret' or 'What the Bleep' because that way, you could listen to the music and hear the people speak, and I think it would be a moving experience.

A great book to buy, gift or pass around. A conversation that intigues me... after all, what is so special about music?

3 of 3 people found the following review helpful.
The Spiriual Significance of Music
By Michelle K. Malsbury
Justin St. Vincent, editor
The Spiritual Significance of Music
Xtreme Music, ISBN 978-0-473-15690-9
Non-Fiction-spirituality, religion, music, mind and body
214 pages
March 2010 Review for Bookpleasures
Reviewer-Michelle Kaye Malsbury, BSBM, MM
Review
Justin St. Vincent, editor for The Spiritual Significance of Music, is founder and director of Xtreme Music. He is a native of New Zealand and has lived in the UK, Hong Kong, and North America. (2010, p.213) New Zealand is now is choice of residence. For more information about Mr. St. Vincent please visit his web site [...].

While most when queried about the connection between music and spirituality might come back with something entirely religious the various people that Mr. St. Vincent has invited to participate in this book range from total religious experiences in creating, listening, or playing, music to more subtle and less concrete versions of the connection that one might get from music itself. The pool of experts he questions on this topic is vast and multidimensional in breadth of life/vocational experiences across this mystical musical industry.

Some of the more memorable excerpts, to me, are listed below: From guitarist/vocalist Sander Gommans from After Forever "The lyrics...do handle something bigger than ourselves: a force we cannot explain." (2010, p.6) Music therapist Kenneth Aigen says (p.7) "The creation of groove is a spiritual discipline because it requires focus and abandonment, body and mind, unison and variation, intention and surrender." Gonzo Sandoval, percussionist for Armored Saint, says that "We allow listeners to peek into our very soul." (p.13) Percussionist, Cyro Baptista writes that " ...it takes a lot of courage to make music from your heart, certainly more courage than getting a gun to make war." (p.22) Rand Bishop, author, defines that connection as "Nimble fingers, dexterous lips, powerful diaphragms, and sonorous throats give wings and fuel to music's flight." (p.29)

Those above are but a few of the quotes that stick out in my mind as defining the spirituality of music as asked by Justin St. Vincent in this book. Common threads that can be read across the people who participated in this book are that music can take the listener, musician, or writer to places where words cannot completely express: moving us to spiritual heights unlike anything else we are able to feel as humans: it is subjective in nature and resonates with each person differently. Many participants also say that music has the ability to change moods or actions across the entire socio-emotional spectrum. Music can evoke love and hate, depression and elation, religious and/or atheist like no other art form. Gerald Casale, bassist, vocalist, and co-founder for Devo said that "True spirituality seeks to re-unite a thread that connects all of us to the rest of life and, thus, brings us together." (p.52) Peijman Kouretchian, drummer for Girth, said that "Music...is an instantaneous sensory....decoding of spirit." (p.77) Kouretchian also adds that the more pure [paraphrase] the artist the more powerful the music.

The pages of this book are filled with opinions and thoughts on the topic of spirituality and music, but few can touch what Wendy Bartlett, director of Healing with Harmony, said "Maybe Heaven is not a place at all, but rather a feeling that awakens our Spirit because for that moment in time we are touched by music, we are one with our Maker." (2010, p.86) Thank you Justin St. Vincent for editing these many excerpts and combining them into a cohesive format for a thought provoking and insightful reading.

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