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The Cultural Industries, by David Hesmondhalgh
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The Cultural Industries, Second Edition combines a political economy approach with the best aspects of cultural studies, sociology, communication studies, and social theory to provide an overview of the key debates surrounding cultural production. This new edition of Hesmondhalgh's clearly written, thoroughly argued overview of political-economic, organizational, technological, and cultural change represents yet another important intervention in research on cultural production.
- Sales Rank: #391338 in Books
- Brand: Brand: SAGE Publications Ltd
- Published on: 2007-04-25
- Original language: English
- Number of items: 1
- Dimensions: .78" h x 6.79" w x 9.40" l, 1.34 pounds
- Binding: Paperback
- 360 pages
- Used Book in Good Condition
Review
The first edition of The Cultural Industries moved us irrevocably past the tired debates between political economy and cultural studies approaches. This second edition takes on new and vital targets, for example claims that the Internet is replacing television in everyday media consumption.... In the process, Hesmondhalgh provides us with an essential toolkit for making critical sense of the digital media age, and our places within it
Nick Couldry
Goldsmiths College, University Of London
This book sets a valuable standard for communication studies. Hesmondhalgh integrates cultural research with political economy, organizational sociology with public communication policy studies, global with comparative analysis, and intellectual property law with technology changes. I've successfully taught graduate and undergraduate courses in the USA and France using the first edition, and this one is better still
John D.H. Downing
Global Media Research Centre, Southern Illinois University
About the Author
David Hesmondhalgh is Professor of Media, Music and Culture in the School of Media and Communication at the University of Leeds. He is the author (with Kate Oakley, David Lee and Melissa Nisbett) of Culture, Economy and Politics: the Case of New Labour (Palgrave, 2015), Why Music Matters (Wiley-Blackwell, 2013), Creative Labour: Media Work in Three Cultural Industries (Routledge, 2011, co-written with Sarah Baker) and The Cultural Industries, now in its third edition (SAGE, 2013). He is also editor or co-editor of seven books and journal special issues, including The Media and Social Theory (with Jason Toynbee, Routledge, 2008) and (with Anamik Saha) a special issue of the journal Popular Communication on “Race, Ethnicity and Cultural Production” (2013).
Most helpful customer reviews
5 of 5 people found the following review helpful.
Very refined analysis, not for those who want a quick, simple, or unrealistic analysis of cultural industries today
By Cheung Chi Wai
I was a bit shocked by the previous review, which says the book is a chore to read and doesn't have any answer to the questions it raises. I think the author offers an answer - cultural industries are extremely complex, and a wide range of social, cultural, and political forces are constantly shaping the cultural industries. His strategy of analysis is to broadly outline some historical trends of cultural industries; but he also adds more complexity in analyzing these trends, warning us not to reify those trends. There is no XXX-determinism in this book. Rather, it calls for more refined analysis of the cultural industries around the world. Many scholars have praised the book, and I don't think they're lying. If one wants to hold on to simplistic approaches like some hard-core versions of the political economy approach, which tend to downplay the complexity of things, s/he should avoid reading this book. But if you believe in Gramsci and the idea that culture (production, text and reception) is always in a state of struggle, this book is for you.
0 of 0 people found the following review helpful.
It is a good read! For those interested to know about the ...
By Amelia ain
It is a good read! For those interested to know about the cultural industries.. But would have to get the 3rd edition as its the newest edition and have the 20th century elements such as 'digital age' and 'information society' that we know live in.
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